A couple of weeks ago, I was given the opportunity to photograph the lovely Claire Bowditch. Together with Lanie Lane, Clare put on a brilliant show at the Old Museum in Brisbane. Totally unlike any other concert I've been to, it was part music concert, part comedy act, and just plain fun! Never seen so much audience participation. At one stage Clare and Lanie both brought out their 'alter egos' and THAT was funny!
The challenges in photographing were a bit different than I'm used to. There was the usual 'bad lighting' but also a new one of 'don't be conspicuous!' As there was only one or two people on stage all night, and the audience was only about half-a-foot below the stage...it was all so intimate that any noise or movement from me (or the other photographer there that night) would attract the attention of the punters, the singer/s and (gulp) the promoter.
So I did my three songs worth of shooting, then moved to an upper level (kind of a mezzanine) for a couple more, then took my place beside my ticket-purchasing friend in the front row. Heh.
GREAT show, preceded by GREAT pizza at The Bank in the Valley.Will upload a photo soon!
Friday, August 5, 2011
Monday, July 25, 2011
Introducing... my latest distraction
Everyone, meet Bertie Buttons. That's his registered name anyway, not sure if I want to change it. He's is an 11 month old purebred Chihuahua, fawn/blue smoothcoat.
Now, I've only managed the one photo, since all he wants to do in snuggle up next to me, and my Bonds hoodie which now belongs to him, apparently! Here it is.
Leaving the house is going to be awfully difficult now! ^_^
Update: Bertie has his own blog, here: Life With Bertie Buttons
Now, I've only managed the one photo, since all he wants to do in snuggle up next to me, and my Bonds hoodie which now belongs to him, apparently! Here it is.
Leaving the house is going to be awfully difficult now! ^_^
Update: Bertie has his own blog, here: Life With Bertie Buttons
Tuesday, June 7, 2011
Contact Me
Having issues getting the rest of this site up and running, so if you're trying desperately to click the 'Contact' button and it's not working, email me here; bec @ becreid.com (remove spaces)
Monday, June 6, 2011
Flares...+ Amy Meredith/Tonight Alive
According to Wikipedia;
When I started taking concert photos, I didn't like flares. I assumed they were just an aberration, something to remove in post-processing, to avoid altogether and to scrap images containing them.
Then I started to see it more as a part of the energy, the drama. Concerts often have a fair bit of that. Check out Grant Norsworthy's face in the shot below. Having the flare adds to the obvious excitement and glee on his face. In my opinion, anyway.
Those two, I know exactly how I got those. Pointing my lens down the barrel of the huge bright light. Also using a zoom lens, and a filter. All those things increase the likelihood of getting flares/scattering the light. Also the wider the lens, the more chance.
Apparently Sigma lenses are also more likely to flare. Since two of the three lenses I was using at the event where I captured the above images, were Sigmas, there's a good chance a Sigma was in use at the time!
Sometimes, you get too much flare... my example;
[Justin Michael, Compliments of Gus]
Just a wee bit too much, methinks.
On to the second part of this blog, the gig on Saturday night! Amy Meredith, supported by Tonight Alive and Bridgemary Kiss at the Princess Theatre, Woolloongabba.
I left that show with a big grin on my face. It was fun! The music was great, the crowd was a happy one, and I got a few good pics. GREAT night.
I must express my hatred of one aspect though, strobe lighting. You know, that black/white flashing that makes one feel as though they're moving in slow-mo, induces fits, and definitely doesn't make for good photos. Not when it's the only source of light, anyway.
I've shot at the Princess before, I knew ahead of time that the lights would be minimal. After the first two bands though, I was hopeful. It wasn't too bad. Allowed me to capture shots like this;
[dude from Tonight Alive]
Definitely better that when I was there shooting The Calling of Levi/Adventure Land.
I got worried though, when before Amy Meredith took the stage, the lighting rig was lowered and altered. The set turned out to sound awesome, but be punctuated by strobe lights, single-colour washes and that bright yellowish light you can see in the lower right corner of the above photo.
Ah well, I can't blame the venue for my inadequacies when it comes to a poorly/weirdly lit stage. I was permitted the use of a flash (yes I know...I was a bit shocked too!) - IF ONLY I HAD ONE, or knew far enough ahead of time to hire one. That's on my Christmas wishlist, a flash. SB-900 plz Santa. :D
I've seen some photos from the night from other people and they look alright, albeit in shrunken form (if a photo looks good at 500px but awful at 1280px, it's an awful photo, sorry)
Despite being told I was the only official photog for Amy Meredith and thus having 'in front' status, I was still mindful of the other couple shooters there, and I think it cost me a bit. I need to be more forceful...MOVE DUDE - MY SPOT NOW. Yeah...I think I'll have a card printed up with that, keep it in my pocket for such occasions.Heh.
All the photography stuff aside, I really lked the music. Each band was different, which I enjoyed. I hate having three bands that sound alike, one after the other. Variety is nice.
Bridgemary Kiss was the first band up. They had a bit of a British pop/rock sound. Helped along by a British lead singer I guess. TONNES of energy. Lead singer couldn't seem to stay on the stage. Nearly took me out a couple times, haha.
Tonight Alive sort of remind me of Paramore, but far more rock than pop. Also they're Australian. I like 'em.
Amy Meredith are described as pop/rock...but really, don't know how to describe them Have a listen to Pornstar or Lying and you decide. Lead singer has a great voice (and hair)
Well I'm off to edit some more photos from the night. Check out the one's I've uploaded so far on my Flickr.
Lens flare is the light scattered in lens systems through generally unwanted image formation mechanisms, such as internal reflection and scattering from material inhomogeneities in the lens.
When I started taking concert photos, I didn't like flares. I assumed they were just an aberration, something to remove in post-processing, to avoid altogether and to scrap images containing them.
Then I started to see it more as a part of the energy, the drama. Concerts often have a fair bit of that. Check out Grant Norsworthy's face in the shot below. Having the flare adds to the obvious excitement and glee on his face. In my opinion, anyway.
Those two, I know exactly how I got those. Pointing my lens down the barrel of the huge bright light. Also using a zoom lens, and a filter. All those things increase the likelihood of getting flares/scattering the light. Also the wider the lens, the more chance.
Apparently Sigma lenses are also more likely to flare. Since two of the three lenses I was using at the event where I captured the above images, were Sigmas, there's a good chance a Sigma was in use at the time!
Sometimes, you get too much flare... my example;
Just a wee bit too much, methinks.
On to the second part of this blog, the gig on Saturday night! Amy Meredith, supported by Tonight Alive and Bridgemary Kiss at the Princess Theatre, Woolloongabba.
I left that show with a big grin on my face. It was fun! The music was great, the crowd was a happy one, and I got a few good pics. GREAT night.
I must express my hatred of one aspect though, strobe lighting. You know, that black/white flashing that makes one feel as though they're moving in slow-mo, induces fits, and definitely doesn't make for good photos. Not when it's the only source of light, anyway.
I've shot at the Princess before, I knew ahead of time that the lights would be minimal. After the first two bands though, I was hopeful. It wasn't too bad. Allowed me to capture shots like this;
Definitely better that when I was there shooting The Calling of Levi/Adventure Land.
I got worried though, when before Amy Meredith took the stage, the lighting rig was lowered and altered. The set turned out to sound awesome, but be punctuated by strobe lights, single-colour washes and that bright yellowish light you can see in the lower right corner of the above photo.
Ah well, I can't blame the venue for my inadequacies when it comes to a poorly/weirdly lit stage. I was permitted the use of a flash (yes I know...I was a bit shocked too!) - IF ONLY I HAD ONE, or knew far enough ahead of time to hire one. That's on my Christmas wishlist, a flash. SB-900 plz Santa. :D
I've seen some photos from the night from other people and they look alright, albeit in shrunken form (if a photo looks good at 500px but awful at 1280px, it's an awful photo, sorry)
Despite being told I was the only official photog for Amy Meredith and thus having 'in front' status, I was still mindful of the other couple shooters there, and I think it cost me a bit. I need to be more forceful...MOVE DUDE - MY SPOT NOW. Yeah...I think I'll have a card printed up with that, keep it in my pocket for such occasions.Heh.
All the photography stuff aside, I really lked the music. Each band was different, which I enjoyed. I hate having three bands that sound alike, one after the other. Variety is nice.
Bridgemary Kiss was the first band up. They had a bit of a British pop/rock sound. Helped along by a British lead singer I guess. TONNES of energy. Lead singer couldn't seem to stay on the stage. Nearly took me out a couple times, haha.
Tonight Alive sort of remind me of Paramore, but far more rock than pop. Also they're Australian. I like 'em.
Amy Meredith are described as pop/rock...but really, don't know how to describe them Have a listen to Pornstar or Lying and you decide. Lead singer has a great voice (and hair)
Well I'm off to edit some more photos from the night. Check out the one's I've uploaded so far on my Flickr.
Thursday, June 2, 2011
Follow the pretty lights...
If I mentioned colour in my last post, this one can be about lights.
I love lights at a concert. They create such different effects. Even the most boring band, with the least stage presence, can look interesting in a photo, if there's some lights involved. Sometimes it's not the musician's fault, they're stuck behind a drum kit (hardly ever lit up! Must talk to some lighting people about this...) or a keyboard. My example;
[Hungry Kids of Hungary, The HiFi, Brisbane, May 2011] Good band, but heck, how much can you really do with a keyboard player? Well...that.
Having shot at a few different venues now, I can tell you now...not all lighting people (engineers? designers?) are created equal. One venue in Brisbane seems to think a couple of light bulbs and a red spotlight are all that's required. Um, no. Not for the poor photographers, anyway! Not that red can't be cool, if there's enough LIGHT. My example;
Okay...in my opinion it's fairly cool. [Rapture Ruckus, Easterfest, Toowoomba April 2011]
So just about any colour can look awesome, providing there is enough LIGHT. How to get the light? Well, if it's just a dark venue and you gotta work with what's available, make sure you have the right gear. I chose Nikon based on the low-light performances of both my D90 and the D700. Of course the D700 is by far the better of the two, being a full-frame and all. D3s would have been my first choice, but I like having two kidneys.
Then it's about lenses. No point in having the best body if you stick a kit lens on it. That said, I started off with kit lenses, but I was lucky in that my first gig was a large music festival, one with PLENTY of lighting. Thus enabling me to use a faster shutter, etc.
Basically don't go for any number bigger than f2.8. I use three lenses in my music photography; Sigma 50mm f1.4, Sigma 70-200 f2.8 and Nikkor 24-70 f2.8. I definitely notice if I go from the 50mm to either of my zooms... in fact I often first think "Somethings wrong with my camera!"*shame* then I remember...'Oh yeah....f1.4 - > f2.8...duh'
So you've got your gear, at the venue, band is up. How to get the light? For me it's a mixture of trial + error, patience and luck. Mostly luck, I think. Watch the lights, see where they pan, when they flash. Try to time your click with it. Sometimes it works, sometimes not. That's the great thing about digital isn't it? Take as many shots as you like! In the 3-song window, of course.
Of course, if you shoot at the same venues a lot, you can get to know the 'pattern' most often used, and the locations of the spotlights. I'm down with the HiFi in West End now. I know what they got, and where the lights go.
[Paul Colman, playing with Peter Furler at Easterfest, Toowoomba, April 2011.]
Not the best shot of Paul, but a good example of the awesome lighting available that night. There was also a ring-style thing. I think I have a shot...
[Michael Paynter, Easterfest, Toowoomba, April 2011]
See that metal rig behind him? Lots of cool lights later on that day (it was barely dark when I took that photo)
So many cool effects can be done with lights. I love this one;
[Paul Colman again]
Notice how all my 'cool lights' shots are from Easterfest? They used the best lighting people, in my opinion. Wish they could do every gig I shoot!
Some photogs use an external flash. I don't, not in live music. It's been recommended to me, I just don't believe it's relaying the true performance with a flash, if you know what I mean. It dulls colours and looks boring, 'set up'.
That's my take on it, anyway.
I love lights at a concert. They create such different effects. Even the most boring band, with the least stage presence, can look interesting in a photo, if there's some lights involved. Sometimes it's not the musician's fault, they're stuck behind a drum kit (hardly ever lit up! Must talk to some lighting people about this...) or a keyboard. My example;
Having shot at a few different venues now, I can tell you now...not all lighting people (engineers? designers?) are created equal. One venue in Brisbane seems to think a couple of light bulbs and a red spotlight are all that's required. Um, no. Not for the poor photographers, anyway! Not that red can't be cool, if there's enough LIGHT. My example;
So just about any colour can look awesome, providing there is enough LIGHT. How to get the light? Well, if it's just a dark venue and you gotta work with what's available, make sure you have the right gear. I chose Nikon based on the low-light performances of both my D90 and the D700. Of course the D700 is by far the better of the two, being a full-frame and all. D3s would have been my first choice, but I like having two kidneys.
Then it's about lenses. No point in having the best body if you stick a kit lens on it. That said, I started off with kit lenses, but I was lucky in that my first gig was a large music festival, one with PLENTY of lighting. Thus enabling me to use a faster shutter, etc.
Basically don't go for any number bigger than f2.8. I use three lenses in my music photography; Sigma 50mm f1.4, Sigma 70-200 f2.8 and Nikkor 24-70 f2.8. I definitely notice if I go from the 50mm to either of my zooms... in fact I often first think "Somethings wrong with my camera!"*shame* then I remember...'Oh yeah....f1.4 - > f2.8...duh'
So you've got your gear, at the venue, band is up. How to get the light? For me it's a mixture of trial + error, patience and luck. Mostly luck, I think. Watch the lights, see where they pan, when they flash. Try to time your click with it. Sometimes it works, sometimes not. That's the great thing about digital isn't it? Take as many shots as you like! In the 3-song window, of course.
Of course, if you shoot at the same venues a lot, you can get to know the 'pattern' most often used, and the locations of the spotlights. I'm down with the HiFi in West End now. I know what they got, and where the lights go.
[Paul Colman, playing with Peter Furler at Easterfest, Toowoomba, April 2011.]
Not the best shot of Paul, but a good example of the awesome lighting available that night. There was also a ring-style thing. I think I have a shot...
See that metal rig behind him? Lots of cool lights later on that day (it was barely dark when I took that photo)
So many cool effects can be done with lights. I love this one;
Notice how all my 'cool lights' shots are from Easterfest? They used the best lighting people, in my opinion. Wish they could do every gig I shoot!
Some photogs use an external flash. I don't, not in live music. It's been recommended to me, I just don't believe it's relaying the true performance with a flash, if you know what I mean. It dulls colours and looks boring, 'set up'.
That's my take on it, anyway.
Friday, May 6, 2011
I Am Not A Control Freak...+ COLOUR = GOOD
The first part of this blog entry is going to be a rant. Sort of.
I GET that the internet is huge. I GET that not everyone abides by copyright laws. I get it. Doesn't mean I have to like it.
Ever since shooting Escape The Fate last weekend, I've had no end of issues... First of all I had someone re-post almost the entire gallery straight from the FasterLouder.com.au website, on their personal Facebook. Yeah they linked back to my FasterLouder gallery and everything (not with my real name or website though) but it's still not cool to do that without asking me. I can do my own promo work thanks... It's all been sorted now though. The person in question wasn't trying to hurt me or degrade my work - they just didn't realise.
What is still bugging me is that one of my photos has been blogged on Tumblr...and re-blogged....and re-blogged.
I don't really understand Tumblr and why/how people can just re-blog hundreds of images a day. It seems to me to be the most lazy form of blogging in existence.
I don't have the energy tonight to follow it back to the first blogger...and how long would it take to get ever re-blogger after him/her to remove it?
So, I'm not a control freak, I don't have to track my photos all over the net 24/7...I cant let it go sometimes. For now...anyway.
Now for the COLOUR topic.
For awhile there, I had issues with colour. Every person on stage HAD to have proper skin colour. None of this red wash or green tinge. I binned a lot of photos because of my ruling on this.
Lately though, I've begun to realise (re-realise, really...) that colour is all a part of the concert experience. Yeah, there was a pink light washing the entire band in Barbie's favourite hue during that song - That's what it was really like! Trying to fix the colour would be faking it. Photos of a sinnger washed in a particular colour can be beautiful and dramatic.
What I want to do, first and foremost, in my photography - is have a photo that someone who was at that concert can look back at and go "Wow...yeah it really was like that! Awesome memories..."
For example, this image;
I would have binned that, when on my 'Everyone must have REAL skin colour!' rampage. Now I look at it and see the beautiful blend of colours, the awesome effect it has on the dude's mohawk, and I appreciate it. I like it, even.
However, I STILL HATE RED STAGE LIGHTING!
I GET that the internet is huge. I GET that not everyone abides by copyright laws. I get it. Doesn't mean I have to like it.
Ever since shooting Escape The Fate last weekend, I've had no end of issues... First of all I had someone re-post almost the entire gallery straight from the FasterLouder.com.au website, on their personal Facebook. Yeah they linked back to my FasterLouder gallery and everything (not with my real name or website though) but it's still not cool to do that without asking me. I can do my own promo work thanks... It's all been sorted now though. The person in question wasn't trying to hurt me or degrade my work - they just didn't realise.
What is still bugging me is that one of my photos has been blogged on Tumblr...and re-blogged....and re-blogged.
I don't really understand Tumblr and why/how people can just re-blog hundreds of images a day. It seems to me to be the most lazy form of blogging in existence.
I don't have the energy tonight to follow it back to the first blogger...and how long would it take to get ever re-blogger after him/her to remove it?
So, I'm not a control freak, I don't have to track my photos all over the net 24/7...I cant let it go sometimes. For now...anyway.
Now for the COLOUR topic.
For awhile there, I had issues with colour. Every person on stage HAD to have proper skin colour. None of this red wash or green tinge. I binned a lot of photos because of my ruling on this.
Lately though, I've begun to realise (re-realise, really...) that colour is all a part of the concert experience. Yeah, there was a pink light washing the entire band in Barbie's favourite hue during that song - That's what it was really like! Trying to fix the colour would be faking it. Photos of a sinnger washed in a particular colour can be beautiful and dramatic.
What I want to do, first and foremost, in my photography - is have a photo that someone who was at that concert can look back at and go "Wow...yeah it really was like that! Awesome memories..."
I would have binned that, when on my 'Everyone must have REAL skin colour!' rampage. Now I look at it and see the beautiful blend of colours, the awesome effect it has on the dude's mohawk, and I appreciate it. I like it, even.
However, I STILL HATE RED STAGE LIGHTING!
Wednesday, May 4, 2011
Escape The Fate + Escape the Sleepyness...
Easterfest was only really 2 + a bit days this year...so I can't imagine how 3 full days would have smashed me - because i think I might still be recovering!
Well, maybe not. Last weekend might have done me in anyway. This was my schedule;
(Mon + Tues is my weekend) Weds - Sunday; work (the paying job) then on Sunday night straight from there to the Tivoli (Fortitude Valley, Brisbane) for Escape The Fate, which I was at from 6pm until around 10pm (an early finish, really) It was a good night. Fairly good crowd, mostly the 15 - 21 age group, a lot of dark eye-makeup and skinny jeans...but they liked me taking their photo - for the most part - so it's all good.
What wasn't good was my favourite lens (also the one that cost the most) 24-70mm f2.8, seems to be having problems with focusing and a weird clunking movement when I zoom past a certain point. Bit worried about it actually... it was the lens I had on the D700 during the deluge at Easterfest, so moisture may be a problem.
I only got kicked in the face once and the kid was so tiny it didn't hurt, and one security guy bumped me - but he was so apologetic it was sweet. It was fun once the barrier crowd was given water - made for a slippery shoot. I actually shot for 4 songs - I was given no '3 songs no flash' rule that night, but I was ready to skedaddle after the 4 songs, the crowd was discovering how to climb over the barrier...
The next day was a public holiday, about the only one my work is closed for, so guess what I did that day? I edited photos. I swore I could do it in like 3 hours. 6 hours later...my eyes had turned square. Well, rectangle... and were watering a little.
Then I got to do one of my favourite things, drive through the Valley at around 10pm.
See, at 10pm, it's late enough for people to be out and about having fun, letting off steam...but not late enough for the crazy mob to be mobile. By that I mean the really rowdy/drunk/high/offtheirface type of person, the ones involved in things like glassings... they tend to be out between midnight and 2am.
No no, the 10pm crowd are my people. The ones who are looking for live music, good club atmosphere and are grinning from ear to ear! I love seeing them milling around Brunswick Street Mall and those places. My favourite places to 'people watch' from are on Brunswick St. I didn't stop there on Sunday night though, just drove through. I was dead tired, even after the awesome hit of energy I got from Monster Guava + Energy - my new fave energy drink. Just SMELL that stuff- ahh heaven.
I love it, I really do. In fact I'm sad now, because I have a couple weeks until my next gig. I think I just need to sleep more. I tend to stay up very late at night, often on the computer, editing photos. I honestly don't notice time passing when I'm in that 'mode'. It's like a trance...
So on that note, I'M GOING OFFLINE. At least for a little while.
Well, maybe not. Last weekend might have done me in anyway. This was my schedule;
(Mon + Tues is my weekend) Weds - Sunday; work (the paying job) then on Sunday night straight from there to the Tivoli (Fortitude Valley, Brisbane) for Escape The Fate, which I was at from 6pm until around 10pm (an early finish, really) It was a good night. Fairly good crowd, mostly the 15 - 21 age group, a lot of dark eye-makeup and skinny jeans...but they liked me taking their photo - for the most part - so it's all good.
What wasn't good was my favourite lens (also the one that cost the most) 24-70mm f2.8, seems to be having problems with focusing and a weird clunking movement when I zoom past a certain point. Bit worried about it actually... it was the lens I had on the D700 during the deluge at Easterfest, so moisture may be a problem.
I only got kicked in the face once and the kid was so tiny it didn't hurt, and one security guy bumped me - but he was so apologetic it was sweet. It was fun once the barrier crowd was given water - made for a slippery shoot. I actually shot for 4 songs - I was given no '3 songs no flash' rule that night, but I was ready to skedaddle after the 4 songs, the crowd was discovering how to climb over the barrier...
The next day was a public holiday, about the only one my work is closed for, so guess what I did that day? I edited photos. I swore I could do it in like 3 hours. 6 hours later...my eyes had turned square. Well, rectangle... and were watering a little.
Then I got to do one of my favourite things, drive through the Valley at around 10pm.
See, at 10pm, it's late enough for people to be out and about having fun, letting off steam...but not late enough for the crazy mob to be mobile. By that I mean the really rowdy/drunk/high/offtheirface type of person, the ones involved in things like glassings... they tend to be out between midnight and 2am.
No no, the 10pm crowd are my people. The ones who are looking for live music, good club atmosphere and are grinning from ear to ear! I love seeing them milling around Brunswick Street Mall and those places. My favourite places to 'people watch' from are on Brunswick St. I didn't stop there on Sunday night though, just drove through. I was dead tired, even after the awesome hit of energy I got from Monster Guava + Energy - my new fave energy drink. Just SMELL that stuff- ahh heaven.
I love it, I really do. In fact I'm sad now, because I have a couple weeks until my next gig. I think I just need to sleep more. I tend to stay up very late at night, often on the computer, editing photos. I honestly don't notice time passing when I'm in that 'mode'. It's like a trance...
So on that note, I'M GOING OFFLINE. At least for a little while.
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